The atomic bombings of Hiroshima and Nagasaki are hot button topics even now, sixty-five years later, evoking passionate reactions among those who believe the bombings were the right thing to do at the time. Many people express intense feelings relating to Japan’s bombing of Pearl Harbor and the atrocities the Japanese military committed in China and throughout the Pacific Theatre during the war. Others (like many of us) have been taught the historical narrative, carefully-crafted by our government both before and after the bombings, that the atomic bombs ended the war before the planned Allied invasion of Japan’s home islands and thereby saved a million American soldiers’ lives. Additionally, the suffering experienced by the people of Hiroshima and Nagasaki is so horrific that many people would, consciously or not, prefer to turn away and not think about this part of our history.
In my book, Nagasaki, I’ll flesh out these complex reactions to the atomic bombs. But since I started the project seven years ago, I’ve wondered if there’s a way to tell the stories of Nagasaki atomic bomb survivors without provoking the outrage of those in our country who strongly agree with our choice to use the bombs. And I’ve struggled with how to handle the gruesome details of injury, radiation, and extraordinary suffering of atomic bomb victims without alienating readers — either while they’re reading or before they pick up the book in the first place.
Thinking about the complex responses readers may have to my book has helped me clarify some ethical and artistic guidelines in my writing. The first is to fully acknowledge the Japanese military’s massacres, rapes, and beheadings of civilians in China, Japan’s choice to bomb Pearl Harbor, and the torture, starvation, and killing of Allied POWs by Japanese soldiers during the Pacific War. In later chapters of Nagasaki when I write about U.S. censorship and denial of the effects of the atomic bombings, I’ll also address Japan’s denial and censorship of its war crimes, which continue in some political arenas even now.
Additionally, I have found documentation that the torpedoes used in the Pearl Harbor attack may have been manufactured in Nagasaki. Whether or not to include this information in my book took some time to decide; if I do include it, this fact alone might give readers a further sense of justification for having used the atomic bombs. But not including it would be a conscious suppression of an important fact, which overrides other considerations for me — so I’ll include this information in the book.
My second ethical consideration has emerged slowly over time as I come to understand and appreciate some of the sentiments of the men and women in our military and at home during the war. In August 1945, the long war in Europe, which took an enormous toll on our country, had been over for just three months, and the war in the Pacific was continuing to amass thousands of military deaths and casualties. In both our country and in Japan, racist and demeaning perceptions of the enemy were commonly accepted and publicly supported by the media. The American people weren’t told that Japan was on the verge of complete collapse and surrender. Although the feelings of both soldiers and their families and communities at home were layered and can’t be quickly categorized, I think it’s safe to say that everyone was exhausted, countless people had lost loved ones, and hatred toward the Japanese felt justified.
I wholeheartedly understand everyone’s passionate desire — at the time and now, looking back — to prevent any further death and injury to our military personnel. At the same time, I can see that in the atomic bombings of Hiroshima and Nagasaki, more than 310,000 men, women, and children, nearly all civilians, died grisly deaths or survived with critical burns and cruel aftereffects from toxic doses of radiation. This suffering, too, I wish to see prevented. I’m exploring how these seemingly opposing sides of history can coexist, neither overriding the other. Holding both of them together allows me to tell the story of Nagasaki in a way that is true to the survivor’s experiences but does not denigrate the feelings of those who believe the bombing was right.
My final consideration relates to how much horrific detail of the Nagasaki atomic bombing I bring to the page. This question has come up often as I write about the hours, days, and weeks that followed the attack — and I’m asking it again this week as I prepare for a meeting with my editor at Viking regarding photographs for the book. Many post-bomb photographs depict charred corpses of infants and children, beheaded bodies, and limbs lying unattached to their bodies in the atomic rubble; images that may cause readers to put down the book before they’ve even started reading. Do I include the photographs anyway, or do I leave them out and partially sanitize the immensity of horror, destruction, and suffering that the atomic bombs caused?
I’m still thinking about this, but right now I’m inclined to leave out the most horrifying photos. Because so little has been written about the bombings and what happened to the people beneath the atomic clouds, if I alienate readers before they start the book, my purpose in telling the story would be defeated. My goal for Nagasaki is to honor the stories of lifelong survival of nuclear war as truthfully as I can in a way that invites readers to turn each page, understand the survivors’ stories, and appreciate this critical event in our history that has long remained suppressed.
In Buddhism, there is a mindfulness practice called, “Right Speech.” With appreciation for how words can create suffering or evoke happiness, this practice encourages speech that is both truthful and promotes inclusiveness. Though I am not Buddhist, I actively think about the ethics of speech, and I’ve been thinking about how to write this book truthfully while diminishing the separations that language often creates. In writing Nagasaki, my task is to appreciate but not get hooked into my own or anyone else’s anger, reactivity, defensiveness, or justifications that exist on either side of the complex issue of our country’s use of the atomic bombs. Several veterans have read portions of my manuscript and expressed surprise that in my telling of the survivors’ stories, there is a balanced tone that includes Japan’s wartime atrocities and no condemnation of the United States. I’m sure there are many ways I could tell this story, but this seems to be my way, and I fervently hope that the book will illuminate this untold story, celebrate the lives of the survivors, promote reflection and discussion about our use of the atomic bombs, and excite readers to think more deeply about how history is created.
